Mirada.2: la dramaturgia de la mirada como metodología para un ejercicio escénico de creación

Abstract

During creative processes, to generate and to promote spaces of research around contemporary performing arts, it is essential to penetrate the use of language, both from theory and practice. In this sense, this document elaborates an in - depth analysis on the experimentation about the potentials of thinking the action of gaze, as a translator of information, to generate a methodology and a dramaturgy for the scene, related to the current academic and socio - cultural context.