Procedimientos de creación dancísticos a partir de la subjetivación del bailarín: un diálogo entre Pelbart, Lepecki y Macías Osorno

Abstract

In daily life, hegemonic social norms, sensorial anesthesia, and survivalism are manifested. Those pass through the anatomy and construct a determined corporality from the physical field to the deepest and undecipherable of the human being. We can say that desires, wills, energy waste, and uniqueness are places historically regulated. The present research studies the body that is immersed in contemporary dance and in turn coexists with biopower from three theoretical perspectives. With the choreographer André Lepecki, we drew a territory to relate dance with the hegemonies: with the dancer and pedagogue Zulai Macías Osorno and the philosopher Peter Pál Pelbart we seek to weaken the fragile sensitivity immersed in contemporary survivalism. Thus, we trace three creative principles: the unfinished body, to resist and to exhaust to generate dance procedures that drive the body movement within the sensibility. In a laboratory, we try to exhaust the modes of motor coding, to visualize cracks that allow us to discover a body in constant transformation, and to decipher the power of perception in relation to the other body, the other space, the other time. We walk to the encounter of a porous affectivity, which reveals the power of the processes of singularization, which whispers through the infinity of the body. We intensify dance practice and life itself, we draw a territory that leaves more questions than answers in a work of dance experimentation called Kairós.